dimanche 14 février 2010

Hamlet au village


Alan a écrit un résumé joussif de notre pièce pour tous les Froggies-et futurs spectateurs-en détresse. TT ne résiste pas au plaisir de le partager avec les Froggies and Co.


Une femme metteur en scène, en chômage de longue durée, se voit imposer par l’ANPE un emploi délocalisé en CDD dans un trou perdu à perpète.

Débarquant avec l’enthousiasme qu’on imagine, elle réalise l’horreur de la situation : on lui demande rien moins que de produire du Hamlet avec un personnel incompétent et en sous-effectifs criant. Autant essayer de caser un éléphant dans une boîte à chaussures : il va falloir tailler dans la viande et le boulot s’annonce peu ragoûtant.

Les premières séances de travail se passent dans un climat de tension entre la chef parachutée et les indigènes qui crient “ Respect !” Consolation, tous sont d’accord pour découper à la tronçonneuse : l’éléphant devient souris.

Et le temps passant, le climat de travail s’améliore. La chef découvre que les indigènes sont aussi des humains et, si on ne peut pas parler de fraternisation, elle se met à pratiquer un paternalisme bien reçu par les locaux.

Et, à la fin des fins, le produit sort sous forme d’un spectacle qui ne fera certes pas date (sauf peut-être dans la feuille de chou locale), mais aura satisfait l’ensemble des participants. Et la chef repartira avec sur son CV une ligne supplémentaire qui devrait l’aider à décrocher de futurs CDD dans les tribus autochtones.

To play or not to play...

My turn to write down the summary of Monday 8th February's session. After all, fake democracy is the basis for real authority...So, here we go!


The warming up
We started the session with the usual warming up. And, as you know, TT is not leading the warming up anymore. But alas! The candidates are rare and I must say I'm struggling to find the perfect leader every week. I was lucky this time though: Farida did an excellent job. Let's see how Badra leads the warming up next time. She promised she would do it, oh yes she did!

After Farida's good job, we did a short exercise to work on language and imagination: we gathered in a circle, very close to each other and created a common movement: rising our right arm up and down. Then TT gave a word and the next person on her left had to give a word inspired by the previous word, but could only speak when his/her arm was above his/her head.
Quite interesting exercise. Some tried to think of a word way before their turn, which is understandable but the main difficulty really is to think of a word related only to the previous one, and also at the right time. Quite difficult but interesting.
After that, we tried to make the exercise even more difficult: still in circle and making the same movement, TT would give the name of a feeling, and the circle had to part (except for TT, who stayed there, doing exactly the same movement) improvise in pair according to that given feeling and come back at the same time in the circle, doing the same movement as TT.
Of course, this exercise helps working on imagination but also concentration, adaptation and cohesion of the group.

The play
As you all know, we chose our play: the little theatre's production of Hamlet, written by Jean Battlo. The text is very interesting because of the parallel with Shakespeare's Hamlet but can seem a bit difficult when you first read it. So TT asked the Froggies first to summarize the play. And thanks to Alan, this went really fast. Then, TT asked the Froggies to stage the summary the way they wanted to. The Froggies chose to tell the story thanks to a narrator (the pianist), describing 5 pictures created by the other Froggies and telling the guidelines of the play. In French. That went really well i must say. Very difficult exercise.

Acting bad
The play tells the story of bad non-professional actors trying to play Hamlet. The idea was to work on how to act in a bad though sincere way. So, we worked on two exercises that took place in a room where people came to audition for Hamlet

first part of the exercise: improvising with no words
two groups of four people were created: the audience and the actors.
The actors had to enter the room one after the other, some were professional actors, other non-professionals and just waited their turn to audition. The audience had to guess who was who.

second part: improvising with words
same exercise but this time, the audience could see the audition with the stage director. Florence and Gwenola are supposed to be the director in the play so TT decided they would obviously play their part. The actors had to choose a monologue from Hamlet and present it in front of the stage director, and of course be as bad as possible!
Crucial exercise before working on the play.

Rules we were able to establish to be bad actors
1. be sincere
2. exaggerate of course in the movements and the voice
3. illustrate the words with movements
4. use the voice to hesitate, talk softly, stammer

in a word: remember all the things to avoid while acting and actually DO them!

No more exercises on the play, please!
Ok...ok...so; to finish, a short exercise to relax and stop talking and talking about the play:
one person is running late and explains to the audience why. He/she tries to get out but is always interrupted by someone.

That was all for tonight folks!
See you next Monday for more pain and hassle AND: deleted scenes from the play and final cast.

TT

mardi 2 février 2010

even shorter than the best

Nobody asked me to do it, but I'll take in charge the sum up of this week session. Ok, let's focus....

Monday February 1st: we read the play.

Ok that's it. Next turn won't be mine for a while...

lundi 1 février 2010

Short but good!

English Theatre Lessons of January 25th with Anna of course, Florence, Alain, Gwenola, Thibault, Farida, Joss and the pianist who joined us after a while - hope I have not forgotten anybody?

Warming up
First of all, Anna asked Gwenola to lead the warm up, and she did it in her special way, which indeed was quite funny and efficient.


First exercise
Anna asked us to walk through the room with large movements, and, when she clapped in her hands, we had to freeze.
Then Anna asked each of us (one after the other) to go on with our frozen movement, saying loudly one or several sentences inspired by the freezing process. She then selected one of us to improvise a short story with our movement and sentence(s). After that, one person (the leader)was asked to stand behind (or her) to repeat some chosen words or sentences, and all the others (the chorus) stood behind the leader and were asked to repeat with emphasis the same words or sentences altogether. We also tried singing the chosen sentences.


The bus
Improvisation with a bus driver who is the leader of the story, with three passengers who enter and then leave the bus when the driver decides it. The passengers had to improvise a scene, talking to each other.
Another exercise with the bus was to sit in the bus and follow all the movements created by the driver: turning right, left, braking, etc...(Some drivers were really crazy by the way, says TT aka the guru)


Hamlet
As Anna still did not receive the play, she had printed for us a short summary of the story of Hamlet, and the second part of our English theatre lesson was to play it all together.
After reading this summary, it was decided that Florence would be the director of the story. While reading the main elements of the story, we were playing the scenes described by her, this time in French.